По заказу МАЗУРКНАХГосТелеРадио…(инглиш и неипет)
Electronica-
Motherfucking electro! Kraftwerk invented it in 1971. Hip hop hijacked it in 1981. Everyone forgot it by 1991. And then everyone started releasing "Hey! Remember Kraftwerk?" albums in 2001. Goes to show how much things run full circle. All electronic music everywhere pretty much owe its existance to Kraftwerk. Right next to James Brown and The Beatles, they are the most influential musicians of all time. It also doesn't hurt that robots are so totally wicked fucking awesome.
Down tempo + minimalism-
Downtempo isn't dance music, it is listening music. For 40 years it has dedicated itself to the exploration of new audio textures and undiscovered sonic soundscapes, often inventing whole instruments and sound kaleidoscopes in its push for novelty. Because of this, the other genres have made a habit of consistently and constantly raiding the atmospheric mood and ambience of Downtempo to employ in their own eclectic styles. But though it doesn't actively seek the spotlight as much as the others, Downtempo will remain as the genre that was here first and will probably be here at the end, since it is the only one driven solely by an insatiable desire for innovation.
Minimalism: the Big Bang of electronic music. Before everything else...before the endless parties, before the 'DJ as God' motif, before the kids found out methamphetamines and repetitive music go really well together, before sarcastic ravers made Flash guides to electronic music, hell BEFORE KRAFTWERK....there was Minimalism. Music that rewards paying attention. What you think is just the same thing over and over again is actually evolving, but slowly, and you have to keep a tab on what's going on to notice the changes. It's interesting how the first electronic dance tracks that came out had this sort of monotonous repetition in mind. Music so redundant that the only thing that made them dancefloor-worthy was the DJ, there to mix, match, splice, and play them together to create musical collages. Of course, since then electronic music has made great strides to being not so repetitive and hence more pop-sensible, because the masses have never, nor will they ever, digest anything as avant-garde and untrendy as this.
KRAFTWERK- Ялочке они не сильно нра, как по мне, то заепца*)
EBM->
Ah yes, here we go: Electronic Body Music. Almost like proto-goa, in its straight-ahead, buzzing synth aesthete. Industrial's true connection to trance, which is why the rest of the genres kinda got dragged with it in this mangled mess of a music genre node. In its raw form here, it's pretty mean, impersonal stuff. I'm not sure how some people can insist that trance is peaceful, euphoric angel music. That's like saying Charles Manson is the next Mother Teresa. Machines don't have feelings, and neither does trance.
Acid trance->
This, along with Classic Trance (they both pretty much came out about the same time, and are interchangeable, as Classic Trance was mostly acid anyway), best represents what REAL Trance is supposed to feel like. Trippy. Fluent. Hypnotic. Very long and repetitive. Once trance got ahold of the 303, dinner was served. The squiggly rhythm box is tailor-made for sci-fi soundscapes and oscillating patterns, and it's a shame to think that the Acid Trance churned out a decade ago was more thoughtful and interesting than the canned sounds coming out today. Not drug music, but best appreciated by drugs. If Retro trends have anything to say about it, Acid Trance will once again be cool to listen to in about.....7 years. One can only hope.
Hard acid core->
Hardcore is the musical genre with bi-polar disorder: one half is blistering, sadistic anger, a seething uncontrollable rage that seeks to ruin and wreck everything that exists, including everyone else's fun time. It is hardcore's mission to inundate the world with pointless, seering sonic hell, insisting every chance it gets that it will never be defeated, can not be killed, and refuses to go away no matter how much people want it to. The other half of hardcore is way too silly and stupid to take such anger seriously anymore.
IDM->
This is the oddest named genre in the entire world, since it's not easily danceable, it's not certifiably intelligent, and it's arguable as to whether it constitutes as actual music. This is the realm of the uber-pretentious electronic music afficionados, with razor-thin eclectic tastes, who spend most of their waking energy arguing about what IDM is and what IDM isn't. But I guess that depends on what your definition of 'is' is. That's why it's the one genre that doesn't have any kind of cohesive sound. That's also why some of them despise the term "Intelligent Dance Music". So just ignore them. It is fun to listen to, after all.
VGM-
Video Game Music. Since our entire generation grew up playing Super Mario Bros. and Tetris for hours on end, we have the tacky, 8-bit, synthesized melodies of Hip Tanaka literally grafted into our consciousness. Remixes and reworkings galore, and also the sampling and utilization of oldskool game consoles to make itself a fully realized genre of techno. The Chiptune scene, as it likes to call itself, has been around for as long as computer and video consoles have had built in music sounds, taking them apart and using them as musical instruments. Pretty inventive stuff, but only for the truly geeky gearhead. For the rest of us, it'll always be gimmick music, though I don't mind it at all. I'd go nuts if someone played the Metroid theme song at a party.
Minimal atmospheric tance-
This is a style of music that is more fashion than function. Listening to it makes you sophisticated, and actually liking it makes you 1337. Supposedly. But it suffers from the same flaws that infect cyberpunk literature: namely, that the authors are so enthralled with their own ideas and liberal use of asides to detail minute concoctions--almost for the sole satisfaction of their geek fanbase--that it's often at the expense of putting out a decent product.
Wallpaper music. Background music. Mood music. Music for airports, department stores and elevators (but not elevator music). Probably invented by a whole bunch of guys (but mostly Brian Eno) ripping off the spacey, ethereal Pink Floyd-like psychedelic art-rock bands of the late 60s and the academic snobs of Minimalism. Resurrected by The KLF in the 90s, where it became a staple of every chill room's soothing environment (yes, it should by AMBIENT, you dickheads. Not house records at 33). This is likely the music you'll be listening to when you die. A starch contrast, since it's probably heavy metal you were listening to when you were born. Wouldn't life be much cooler if it were the other way around? (note: Ambient is impossible to loop, so don't complain to me if it doesn't align right)
KRAFTWERK-> Борн эгейн? *) Фак ееееессссс!!!!
*аффтар нашл полезную программку "Жашкурс гвайд ту электроник мьюзик", все это взято из нее, он обязательно запишет её на диск и передсД бандерлогами в Питер Мазуренчихе, качать её безполезно, бо она занимает 64 Мб*
Вам это будет интересно!
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